Arthouse and Introspection: An Interview with Jacqueline Lentzou
In just seven short films — including the recently lauded “Fox” (2016), “Hiwa” (2017), and “Hector...
Dario Argento: A Dip Into The Inferno
Part of growing up means accepting that artists are imperfect people and that worthwhile art may...
A One-of-a-Kind Portrait Artist: The Films of Martín Farina
Talent Press, a section of Talents Buenos Aires, is a theoretical and practical program created...
Love for Sale: Sudabeh Mortezai’s “Joy”
In Nigeria, every state is associated with a particular vice. Lagos with its visual, noise, and...
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As the Clock Ticks: Béla Tarr’s “Sátántangó”
10:00 It’s the last morning of the Karlovy Vary International Film Festival. The cinema Kino Čas...
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Queer Kino: 1970s and ‘80s Gay German Arthouse Cinema
The rise of New German Cinema coincided with the birth of gay liberation. Perhaps as a result, the...
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Non-Fiction at BAMcinemaFest 2019: Constructing the Myth of the Self
BAMcinemaFest programs some of the most striking independent films made by US-based filmmakers,...
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The Memory of a Century: Lav Diaz’s “The Halt”
Lav Diaz preceded the premiere of his new film The Halt in the Directors’ Fortnight sidebar of...
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Private and Public Histories: An Interview with Péter Forgács
Found-footage films are on the rise, especially those which employ fragments of home video. Young...
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