Marta Hernaiz Pidal on “Dobro” and “The Chaotic Life of Nada Kadić”
For Mexican director Marta Hernaiz Pidal, 2018 is off to a terrific start. An award-winning...
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Heavy Traffic: Melanie Shatzky and Brian M. Cassidy’s Interchange
In Interchange (2018), the persistent sound of cars whooshing by on the looming concrete slabs of...
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Alexa-Jeanne Dubé, From Actor to Director
Alexa-Jeanne Dubé is taking Québec by storm. Over the past five years, she has acted in a number...
Alexa-Jeanne Dubé, From Actor to Director
Alexa-Jeanne Dubé is taking Québec by storm. Over the past five years, she has acted in a number...
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Metal Martyr—“Jeannette: The Childhood of Joan of Arc”
In the past few years, Bruno Dumont has gotten goofy. Long gone is the sober and severe Dumont of...
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Down by the River—Leonor Teles
At the 2016 edition of the Berlin International Film Festival, 23-year-old Leonor Teles became the...
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The Downward Spiral: Hu Bo’s “An Elephant Sitting Still”
An Elephant Sitting Still (2018) is tainted by death. Director Hu Bo, also an esteemed novelist,...
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The Human Animal—Valérie Massadian
From her time working as Nan Goldin’s assistant, Valérie Massadian tells me, she learned to trust...
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Two Men in a Hearse: Pierre-François Sauter’s “Calabria”
Vladimir: That passed the time. Estragon: It would have passed in any case. Vladimir: Yes, but not...
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