An Economy of the Gaze: An Interview with Camilo Restrepo
Camilo Restrepo is a late bloomer, creating works that are tactile and impressionistic, whether...
He Needed Love Like All the Rest: Gabriel Abrantes and Daniel Schmidt’s “Diamantino”
Gabriel Abrantes and Daniel Schmidt’s work has been gaining traction on the festival circuit...
The Here and Now of True/False Film Fest
It takes a good deal of aesthetic refinement and theoretical interest in cinema as an art form to...
He Needed Love Like All the Rest: Gabriel Abrantes and Daniel Schmidt’s “Diamantino”
Gabriel Abrantes and Daniel Schmidt’s work has been gaining traction on the festival circuit...
Read More
Cosmic Solitude: Claire Denis’ “High Life”
The cliché goes that outer space is the final frontier, a seemingly limitless expanse, void of...
Read More
Conceptual Confusion: Tsai Ming-liang’s “Your Face”
Tsai Ming-liang has been moving steadily away from narrative cinema in the five years since Stray...
Read More
We Can’t Go Home Again: Ying Liang’s “A Family Tour”
Ying Liang’s When Night Falls (2012) is one of the more powerful works of historical fiction to...
Read More
The Weight of Time: Jia Zhangke’s “Ash Is Purest White”
It’s been over twenty years since Xiao Wu (1997), the debut feature from master filmmaker Jia...
Read More
Top Five Films at the 53rd Karlovy Vary International Film Festival
Karlovy Vary International Film Festival (KVIFF) experienced one of its best years this past...
Read More
