PAULINE CHALAMET Stars in Exclusive, Global KINOSCOPE Release of Emma Doxiadi’s Remotely Made I’M FINE!
KINOSCOPE is thrilled to announce a free, exclusive streaming release of Emma Doxiadi’s recent...
Dario Argento: A Dip Into The Inferno
Part of growing up means accepting that artists are imperfect people and that worthwhile art may...
A One-of-a-Kind Portrait Artist: The Films of Martín Farina
Talent Press, a section of Talents Buenos Aires, is a theoretical and practical program created...
Martin Eden, Faust, and Hamlet: An Interview with Pietro Marcello
As is often the way of these things, I didn’t quite fall in love with Martin Eden until a year had...
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The Ghosts That Lie in Our Art: Raúl Ruiz and Valeria Sarmiento’s “Tango of the Widower and Its Distorting Mirror”
Nine years after his passing, what was supposed to be Raúl Ruiz’s debut film has been recovered...
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You’d Be Great as Jesus: Orson Welles’ “Hopper/Welles”
It was 1970, and Orson Welles was filming The Other Side of the Wind, which gestated for years...
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PAULINE CHALAMET Stars in Exclusive, Global KINOSCOPE Release of Emma Doxiadi’s Remotely Made I’M FINE!
KINOSCOPE is thrilled to announce a free, exclusive streaming release of Emma Doxiadi’s recent...
Read More
IndieLisboa: Time Warp
Lisbon is a city with a history of resilience. So, it was hardly a surprise when IndieLisboa...
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Moment to Moment: The Short Films of Jacqueline Lentzou
Jacqueline Lentzou’s cinematic universe is one of subtle beauty and complex poetry. Dense with...
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