Marta Hernaiz Pidal on “Dobro” and “The Chaotic Life of Nada Kadić”
For Mexican director Marta Hernaiz Pidal, 2018 is off to a terrific start. An award-winning...
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A Treasure Hunt to Find New Talents: An Interview with Zsuzsanna Kiràly
Working between Komplizen Film and her own production company, Flaneur Films, Zsuzsanna Kiràly has...
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Japan Cuts 2018: The Auteur Parade
This year’s lineup of the always-impressive Japan Cuts brought the North American premiere of the...
Japan Cuts 2018: The Auteur Parade
This year’s lineup of the always-impressive Japan Cuts brought the North American premiere of the...
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Of Wars, Memories, and Fiction: The 9th Odessa International Film Festival
From Odessa’s side of the Black Sea, Crimea is about 300 km away. If you squint your eyes hard...
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The Pleasure of Feeling Lost: On the Films of Teddy Williams
The Pleasure of Feeling Lost: On the Films of Teddy Williams Sebastián Rosal Talent Press, a...
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An Economy of the Gaze: An Interview with Camilo Restrepo
Camilo Restrepo is a late bloomer, creating works that are tactile and impressionistic, whether...
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Cheerfully Depressed: Radu Jude’s “Scarred Hearts”
In 1937, a jaundiced poet and academic named Emanuel (Lucian Teodor Rus), modeled after Max...
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Cinema Is Memory: An Interview with Liryc Dela Cruz
Born in Mindanao, the second largest island in the Philippines, Liryc Dela Cruz is a young,...
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