PAULINE CHALAMET Stars in Exclusive, Global KINOSCOPE Release of Emma Doxiadi’s Remotely Made I’M FINE!
KINOSCOPE is thrilled to announce a free, exclusive streaming release of Emma Doxiadi’s recent...
Dario Argento: A Dip Into The Inferno
Part of growing up means accepting that artists are imperfect people and that worthwhile art may...
Continuous Movement in a Suddenly Still World: Lynne Sachs’ “Swerve”
I can’t say I’m all that well versed in interpreting the structural and tonal elements of poetry....
Continuous Movement in a Suddenly Still World: Lynne Sachs’ “Swerve”
I can’t say I’m all that well versed in interpreting the structural and tonal elements of poetry....
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The Freaky Stuff: David Cronenberg’s “Crimes of the Future”
“People took such awful chances with chemicals and their bodies because they wanted the...
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Nicolas Frickin’ Cage
There’s an episode in the fifth season of the show Community (2009–2015) in which...
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In the Partial Dark: Payal Kapadia’s “A Night of Knowing Nothing” 
Payal Kapadia didn’t exactly set out to document discriminatory casteist university education from...
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Paying Attention: New Shorts by Salomé Lamas and Eliane Esther Bots
Invisible people put up with the weight of the world so that others can carry on with their...
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Adult Child of Divorce: Forty Years of Andrzej Żuławski’s “Possession”
Notwithstanding a battalion of toy soldiers closing in on his breakfast, the boy appears to be...
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