VOD

Arthouse and Introspection: An Interview with Jacqueline Lentzou

by Scout Tafoya | May 10, 2019 | 2019, All, Read, VOD

In just seven short films — including the recently lauded “Fox” (2016), “Hiwa” (2017), and “Hector...

An Economy of the Gaze: An Interview with Camilo Restrepo
by Tanner Tafelski | Jul 31, 2018 | 2018, All, Read, VOD
Cinema Is Memory: An Interview with Liryc Dela Cruz
by Matt Turner | Jul 20, 2018 | 2018, All, Read, VOD
Self-Portrait of an Exquisite Corpus: An Interview with João Pedro Rodrigues (Part Two)
by Stefan Solomon | Jul 15, 2018 | 2018, All, Read, VOD

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Dario Argento: A Dip Into The Inferno

by Steve Erickson | Oct 2, 2017 | All, Read

Part of growing up means accepting that artists are imperfect people and that worthwhile art may...

THE “OTHER” EUROPE
by Ela Bittencourt | Nov 7, 2016 | All, Read
Discovery and Development: A Case for Second Films
by Brandon Colvin | Feb 24, 2017 | All, Read
“If you behave badly in this life, you become a Chilean in the next one” – on Raúl Ruiz and Valeria Sarmiento’s La Telenovela Errante
by Jaime Grijalba | Aug 22, 2017 | All, Read

Now

A One-of-a-Kind Portrait Artist: The Films of Martín Farina

by Santiago Gonzalez Cragnolino | Dec 28, 2018 | 2018, All, Read, Talent Press

Talent Press, a section of Talents Buenos Aires, is a theoretical and practical program created...

The Return to the Origins of Experience: Mariano Llinás’ “La Flor”
by Eddy Baez | Oct 16, 2018 | 2018, All, Read, Talent Press
The Pleasure of Feeling Lost: On the Films of Teddy Williams
by Sebastián Rosal | Aug 2, 2018 | 2018, All, Read, Talent Press
Between Resemblance And Their Meanings: On The 20th Bafici (In Cooperation With Talents Buenos Aires And Berlinale)
by Vanja Milena Munjin Paiva | Jun 25, 2018 | 2018, All, Read, Talent Press

Queer Kino: 1970s and ‘80s Gay German Arthouse Cinema

by Steve Erickson | Jul 4, 2019 | 2019, All, Read |

The rise of New German Cinema coincided with the birth of gay liberation. Perhaps as a result, the...

Non-Fiction at BAMcinemaFest 2019: Constructing the Myth of the Self

by Jaime Grijalba | Jun 22, 2019 | 2019, All, Read |

BAMcinemaFest programs some of the most striking independent films made by US-based filmmakers,...

The Memory of a Century: Lav Diaz’s “The Halt”

by James Slaymaker | Jun 14, 2019 | 2019, All, Read |

Lav Diaz preceded the premiere of his new film The Halt in the Directors’ Fortnight sidebar of...

Private and Public Histories: An Interview with Péter Forgács

by Flavia Dima | Jun 14, 2019 | 2019, All, Read |

Found-footage films are on the rise, especially those which employ fragments of home video. Young...

Let’s Take Over the City: Paulo Rocha’s “Os Verdes Anos”

by Lucía Salas | Jun 14, 2019 | 2019, All, Read |

Talent Press, a section of Talents Buenos Aires, is a theoretical and practical program created...

‘‘The Devil Looks Like a Mounted Policeman’’: “Nuestra Voz de Tierra, Memoria y Futuro,” and the Cinema of Marta Rodríguez

by Emily Wright | Jun 7, 2019 | 2019, All, Read |

A wide shot of a mountainside cloaked in mist shows a masked figure, carrying a briefcase,...

Recent Posts

Queer Kino: 1970s and ‘80s Gay German Arthouse Cinema
Jul 4, 2019 | 2019, All, Read
Non-Fiction at BAMcinemaFest 2019: Constructing the Myth of the Self
Jun 22, 2019 | 2019, All, Read
The Memory of a Century: Lav Diaz’s “The Halt”
Jun 14, 2019 | 2019, All, Read
Private and Public Histories: An Interview with Péter Forgács
Jun 14, 2019 | 2019, All, Read
Let’s Take Over the City: Paulo Rocha’s “Os Verdes Anos”
Jun 14, 2019 | 2019, All, Read

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