Arthouse and Introspection: An Interview with Jacqueline Lentzou
In just seven short films — including the recently lauded “Fox” (2016), “Hiwa” (2017), and “Hector...
Dario Argento: A Dip Into The Inferno
Part of growing up means accepting that artists are imperfect people and that worthwhile art may...
A One-of-a-Kind Portrait Artist: The Films of Martín Farina
Talent Press, a section of Talents Buenos Aires, is a theoretical and practical program created...
Slouching Towards Yuppiedom: Damon Packard’s “Fatal Pulse”
Fatal Pulse (2018) pays venomous tribute to early ‘90s Hollywood. Its alternate title, Untitled...
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Song from a Vanished New York: Edo Bertoglio’s “Downtown 81”
Downtown 81 merges the innocent with the ghostly. A tour of New York’s post-punk art and music...
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Adult Problems: An Interview with Dan Sallitt
A little less than a year ago, American director Ted Fendt, who saw in me an avid searcher of...
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In My Mind: Ulrich Köhler’s “In My Room”
To properly assess what happened to me throughout the screening of Ulrich Köhler’s In My Room...
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This Isn’t Goodbye: The 57th New York Film Festival
The sense of an ending — and the start of a beginning — colored the 57th New York Film Festival....
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History Lessons: Zhao Liang’s First Documentaries
“After these reforms, there was a period of drastic change,” Zhao Liang says, referring to Deng...
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