PAULINE CHALAMET Stars in Exclusive, Global KINOSCOPE Release of Emma Doxiadi’s Remotely Made I’M FINE!
KINOSCOPE is thrilled to announce a free, exclusive streaming release of Emma Doxiadi’s recent...
Dario Argento: A Dip Into The Inferno
Part of growing up means accepting that artists are imperfect people and that worthwhile art may...
A One-of-a-Kind Portrait Artist: The Films of Martín Farina
Talent Press, a section of Talents Buenos Aires, is a theoretical and practical program created...
Travelin’ Through: Chloé Zhao’s “Nomadland”
When Frances McDormand’s Fern appears in the opening frames of Nomadland (2020), a title card has...
Read More
Vengeance: Oliver Laxe’s “Fire Will Come”
Oliver Laxe’s Fire Will Come (2019) begins with the same image Albert Serra’s Liberté (2019) ends...
Read More
A Life on Hold: Garrett Bradley’s “Time”
Garrett Bradley’s movie titles convey big, broad concepts: “Alone,” (2017) “America,” (2019) and...
Read More
In Search of a New Land: An Interview with Anna Cazenave Cambet
“I wanted to write a portrait of a woman. That was clear,” Anna Cazenave Cambet tells me during...
Read More
Martin Eden, Faust, and Hamlet: An Interview with Pietro Marcello
As is often the way of these things, I didn’t quite fall in love with Martin Eden until a year had...
Read More
The Ghosts That Lie in Our Art: Raúl Ruiz and Valeria Sarmiento’s “Tango of the Widower and Its Distorting Mirror”
Nine years after his passing, what was supposed to be Raúl Ruiz’s debut film has been recovered...
Read More
