An Economy of the Gaze: An Interview with Camilo Restrepo
Camilo Restrepo is a late bloomer, creating works that are tactile and impressionistic, whether...
Dario Argento: A Dip Into The Inferno
Part of growing up means accepting that artists are imperfect people and that worthwhile art may...
A One-of-a-Kind Portrait Artist: The Films of Martín Farina
Talent Press, a section of Talents Buenos Aires, is a theoretical and practical program created...
Capitalist Realism at CPH:DOX
Marked by multiple tales of economic turmoil, this year’s CPH:DOX provided fuel for reflection on...
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Present Histories: An Interview with Ruth Beckermann
The last two editions of One World Romania, Bucharest’s (and, arguably, the whole country’s) most...
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Talk Wordy to Me: Sofia Bohdanowicz and Deragh Campbell’s “MS Slavic 7”
MS Slavic 7 (2019) is deceptively simple. Opening with the image of a poem by Polish writer Józef...
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To Take a Measurement: Jem Cohen and Fugazi’s “Instrument”
In 1999, Dischord Records released Instrument, a collaboration between filmmaker Jem Cohen and the...
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Chuck E. Cheese and Sour Milk: An Interview with Joel Potrykus
At the Canadian premiere of Relaxer (2018) at Fantasia, barf bags were handed out to the audience...
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Personal Politics Of Freedom / To The Unknown
In a present world of frontiers and walls, of permanent divisions in categories, races, nations,...
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