PAULINE CHALAMET Stars in Exclusive, Global KINOSCOPE Release of Emma Doxiadi’s Remotely Made I’M FINE!
KINOSCOPE is thrilled to announce a free, exclusive streaming release of Emma Doxiadi’s recent...
Dario Argento: A Dip Into The Inferno
Part of growing up means accepting that artists are imperfect people and that worthwhile art may...
Nicolas Frickin’ Cage
There’s an episode in the fifth season of the show Community (2009–2015) in which...
Nicolas Frickin’ Cage
There’s an episode in the fifth season of the show Community (2009–2015) in which...
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In the Partial Dark: Payal Kapadia’s “A Night of Knowing Nothing” 
Payal Kapadia didn’t exactly set out to document discriminatory casteist university education from...
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Paying Attention: New Shorts by Salomé Lamas and Eliane Esther Bots
Invisible people put up with the weight of the world so that others can carry on with their...
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Adult Child of Divorce: Forty Years of Andrzej Żuławski’s “Possession”
Notwithstanding a battalion of toy soldiers closing in on his breakfast, the boy appears to be...
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Whose Century?: Artavazd Peleshian’s “Nature”
Artavazd Peleshian makes action films. They just don’t resemble the kind Hollywood manufactures....
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Changing Methods: An Interview with Ryûsuke Hamaguchi
When Happy Hour (2015) abruptly landed in the western world, it was immediately evident that...
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