An Economy of the Gaze: An Interview with Camilo Restrepo
Camilo Restrepo is a late bloomer, creating works that are tactile and impressionistic, whether...
Dario Argento: A Dip Into The Inferno
Part of growing up means accepting that artists are imperfect people and that worthwhile art may...
A One-of-a-Kind Portrait Artist: The Films of Martín Farina
Talent Press, a section of Talents Buenos Aires, is a theoretical and practical program created...
Personal Politics Of Freedom / To The Unknown
In a present world of frontiers and walls, of permanent divisions in categories, races, nations,...
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Know Thyself: A Report on the 69th Berlin International Film Festival
At this year’s Berlin International Film Festival, Nadav Lapid’s Synonyms (2019) walked away with...
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Lonely Living in a Non-Place: An Interview with Yeo Siew Hua
An oneiric drama set in Singapore’s construction sites designated for land reclamation, A Land...
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Disarming Manhood, Raising Men: Toxic Masculinities in “Monos” and “Piranhas”
Wars do not quite simply claim lives — they also create new ones that are integral to their...
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They Used to Stare at Fires: Claire Simon’s “The Competition”
It’s simpler to say that a film is a summation of thousands of decisions made by thousands of...
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All Your Sad Kingdoms: Portuguese Films “Serpentarius” and “Past Perfect” at the Berlinale
The colonial project has long been about controlling land to bleed its resources. Much recent...
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