An Economy of the Gaze: An Interview with Camilo Restrepo
Camilo Restrepo is a late bloomer, creating works that are tactile and impressionistic, whether...
Dario Argento: A Dip Into The Inferno
Part of growing up means accepting that artists are imperfect people and that worthwhile art may...
The Return to the Origins of Experience: Mariano Llinás’ “La Flor”
The Return to the Origins of Experience: Mariano Llinás’ “La Flor” Eddy Baez Talent Press, a...
Creative Companionship: An Interview with Pascal Greggory
Pascal Greggory has been acting in French cinema and theater since 1975, with André Téchiné’s The...
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Puffed-Up Politics: Experimenta at the 2018 BFI London Film Festival
At this year’s BFI London Film Festival, Alfonso Cuarón’s Roma (2018), Mike Leigh’s Peterloo...
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Not My Style: Orson Welles’ “The Other Side of the Wind”
There are scholars who have devoted their lives to discovering autobiography in Welles’ films, and...
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Dust to Dust: Frederick Wiseman’s “Monrovia, Indiana”
Frederick Wiseman goes west — the Midwest that is. In a career that spans over 50 years, the...
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Appalachian Taboo: Joseph L. Anderson’s “Spring Night, Summer Night”
The character of backwoods America seems only the province of amateurs, unknowns, and...
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The Return to the Origins of Experience: Mariano Llinás’ “La Flor”
The Return to the Origins of Experience: Mariano Llinás’ “La Flor” Eddy Baez Talent Press, a...
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