PAULINE CHALAMET Stars in Exclusive, Global KINOSCOPE Release of Emma Doxiadi’s Remotely Made I’M FINE!
KINOSCOPE is thrilled to announce a free, exclusive streaming release of Emma Doxiadi’s recent...
Twice What You Get from Daily Life: The (Meta-)Cinema of Edward Yang
Edward Yang was one of the greatest directors of the late 20th century — a filmmaker who, along...
Noriaki Tsuchimoto: A Forgotten Cinema of Empathy
Like lazy cartographers, many Anglo-centric cinephiles seem comfortable only watching films...
Play for Today: Rita Azevedo Gomes’ “The Kegelstatt Trio”
It’s October 26th – Austrian National Day – and I’m sitting with Ms. Rita Azevedo Gomes in her...
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Noriaki Tsuchimoto: A Forgotten Cinema of Empathy
Like lazy cartographers, many Anglo-centric cinephiles seem comfortable only watching films...
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NYFF 60: Highlights from Week One
Now underway, the New York Film Festival seems more consolidated than in previous years. As usual,...
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Continuous Movement in a Suddenly Still World: Lynne Sachs’ “Swerve”
I can’t say I’m all that well versed in interpreting the structural and tonal elements of poetry....
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The Freaky Stuff: David Cronenberg’s “Crimes of the Future”
“People took such awful chances with chemicals and their bodies because they wanted the...
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Nicolas Frickin’ Cage
There’s an episode in the fifth season of the show Community (2009–2015) in which...
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