Arthouse and Introspection: An Interview with Jacqueline Lentzou
In just seven short films — including the recently lauded “Fox” (2016), “Hiwa” (2017), and “Hector...
Dario Argento: A Dip Into The Inferno
Part of growing up means accepting that artists are imperfect people and that worthwhile art may...
A One-of-a-Kind Portrait Artist: The Films of Martín Farina
Talent Press, a section of Talents Buenos Aires, is a theoretical and practical program created...
How to Kickstart Your Own Cinephilia — On “Relentless Invention: New Korean Cinema, 1996 – 2003”
I was born in 1990, but I wasn’t really into cinema until 2006. Throughout that year and well into...
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A Projection Over the Forest: An Interview with Ian Soroka
Ian Soroka’s Greetings from Free Forests (2019) takes place in the expansive forest of Slovenia,...
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Nostalgia Ain’t What It Used to Be: 25 FPS Festival
Now in its 15th year, the 25 FPS International Experimental Film and Video Festival has become an...
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Slouching Towards Yuppiedom: Damon Packard’s “Fatal Pulse”
Fatal Pulse (2018) pays venomous tribute to early ‘90s Hollywood. Its alternate title, Untitled...
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Song from a Vanished New York: Edo Bertoglio’s “Downtown 81”
Downtown 81 merges the innocent with the ghostly. A tour of New York’s post-punk art and music...
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Adult Problems: An Interview with Dan Sallitt
A little less than a year ago, American director Ted Fendt, who saw in me an avid searcher of...
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