PAULINE CHALAMET Stars in Exclusive, Global KINOSCOPE Release of Emma Doxiadi’s Remotely Made I’M FINE!
KINOSCOPE is thrilled to announce a free, exclusive streaming release of Emma Doxiadi’s recent...
Dario Argento: A Dip Into The Inferno
Part of growing up means accepting that artists are imperfect people and that worthwhile art may...
Whose Century?: Artavazd Peleshian’s “Nature”
Artavazd Peleshian makes action films. They just don’t resemble the kind Hollywood manufactures....
Whose Century?: Artavazd Peleshian’s “Nature”
Artavazd Peleshian makes action films. They just don’t resemble the kind Hollywood manufactures....
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Changing Methods: An Interview with Ryûsuke Hamaguchi
When Happy Hour (2015) abruptly landed in the western world, it was immediately evident that...
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First Fright: Francis Ford Coppola’s “Dementia 13”
Before he directed Dementia 13 (1963), film God and viniter Francis Ford Coppola had a good run...
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The Bare Phenomenal Facts: Kazik Radwanski and Deragh Campbell on “Anne at 13,000 Ft.”
It’s not the fall, it’s the sudden stop — in Anne at 13,000 Ft., which circles back again and...
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Time Slays Clocks: Tsai Ming-liang’s “Days”
Tsai Ming-liang has spent much of his career examining Taipei’s less-luxurious locales, casting...
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On Bodies and Portents: Jacqueline Lentzou’s “Moon, 66 Questions“
“This moon is no joke, my darlings,” comes an astrological warning heard in Greek director...
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