Arthouse and Introspection: An Interview with Jacqueline Lentzou
In just seven short films — including the recently lauded “Fox” (2016), “Hiwa” (2017), and “Hector...
Dario Argento: A Dip Into The Inferno
Part of growing up means accepting that artists are imperfect people and that worthwhile art may...
A One-of-a-Kind Portrait Artist: The Films of Martín Farina
Talent Press, a section of Talents Buenos Aires, is a theoretical and practical program created...
The Camera Becomes a Friend: An Interview with Pedro Costa
Pedro Costa makes images that feel like they were dredged up in archaeological finds. They’re so...
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Top Five Shorts of 2019
Compiled by Laurence Boyce Kinoscope’s “Top Five Shorts of 2019” attempts to examine the shorts...
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Archive and Memory at IFFR 2020
At a time when archival film and other forms of archive are increasingly present in programming...
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Ultra-Indie: An Interview with Hal Hartley
Hal Hartley’s early work brought something new to the punk-informed New York sensibility,...
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Partitions in Negative Space: Ed Lachman on “Dark Waters”
The current discourse in film criticism cannot fit Dark Waters (2019) through its narrow funnel....
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Infested Images: An Interview with the Director of “African Mirror,” Mischa Hedinger
René Gardi was a popular Swiss traveler, writer, and filmmaker who fell in love with Africa in the...
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