Arthouse and Introspection: An Interview with Jacqueline Lentzou
In just seven short films — including the recently lauded “Fox” (2016), “Hiwa” (2017), and “Hector...
Dario Argento: A Dip Into The Inferno
Part of growing up means accepting that artists are imperfect people and that worthwhile art may...
A One-of-a-Kind Portrait Artist: The Films of Martín Farina
Talent Press, a section of Talents Buenos Aires, is a theoretical and practical program created...
Life and Death in the USSR: Sergei Loznitsa’s “State Funeral”
In recent years, Ukrainian filmmaker Sergei Loznitsa has built up a strong practice of delving...
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Best of the 2010s
Here are the best films that premiered in the 2010s according to our writers. As with all lists,...
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2019 Impressions
For Kinoscope’s second annual “Impressions” feature, our writers highlight new and old movies...
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A Real Festival That’s Extremely Online: Márgenes
Márgenes is a streaming and distribution platform for movies. Every year in November and December...
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How to Kickstart Your Own Cinephilia — On “Relentless Invention: New Korean Cinema, 1996 – 2003”
I was born in 1990, but I wasn’t really into cinema until 2006. Throughout that year and well into...
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A Projection Over the Forest: An Interview with Ian Soroka
Ian Soroka’s Greetings from Free Forests (2019) takes place in the expansive forest of Slovenia,...
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