La Semaine de la Critique of Festival de Cannes
KINOSCOPE is thrilled to announce a partnership with the Cannes Film Festival, La Semaine de la...
Dario Argento: A Dip Into The Inferno
Part of growing up means accepting that artists are imperfect people and that worthwhile art may...
A One-of-a-Kind Portrait Artist: The Films of Martín Farina
Talent Press, a section of Talents Buenos Aires, is a theoretical and practical program created...
Firm and Faulty Beliefs: Ra’anan Alexandrowicz’s “The Viewing Booth”
From climate change and Brexit, to disagreements about how to tackle the Covid-19 pandemic, the...
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Keep Quiet: Praveen Morchhale’s “Widow Of Silence”
Praveen Morchhale’s Widow of Silence is a war film that leaves the gunshots and battles offscreen,...
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Tripping into Nature: An Interview with Daniel & Clara
The British filmmakers Daniel and Clara say they’ve discarded their nationality, surnames, and...
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Watching in the Time of Quarantine: Jason Ooi and the Long Distance Film Festival
The Long Distance Film Festival has risen to the demands of our current environment, where...
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Lost Dreams: Stephen Broomer’s “Phantom Ride”
Named after a genre of cinema popular towards the end of the 1890s, in which a cameraman was...
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La Semaine de la Critique of Festival de Cannes
KINOSCOPE is thrilled to announce a partnership with the Cannes Film Festival, La Semaine de la...
Read More
