
2018 Impressions
2018 is nearly over. Kinoscope had a good year, a big year. I had the great fortune and honor of...
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by Santiago Gonzalez Cragnolino | Dec 28, 2018 | 2018, All, Read, Talent Press | 0 |
Talent Press, a section of Talents Buenos Aires, is a theoretical and practical program created...
Read Moreby Tanner Tafelski | Dec 28, 2018 | 2018, All, Read | 0 |
What happened to Marcel Pagnol? The work of his peers are better known to cinephiles today; the...
Read Moreby Flavia Dima | Dec 14, 2018 | 2018, All, Read | 0 |
It’s a drab, late-October afternoon in Bucharest. Local journalists and critics have been ushered...
Read Moreby Andrew Northrop | Dec 7, 2018 | 2018, All, Read | 0 |
Philippines-based filmmaker and artist Shireen Seno recently debuted her second feature Nervous...
Read Moreby Flavia Dima | Nov 28, 2018 | 2018, All, Read | 0 |
Jorge Luis Acha is, in the words of Roger Koza, “one of the greatest secrets of Argentinian...
Read Moreby Steve Erickson | Nov 16, 2018 | 2018, All, Read | 0 |
Pascal Greggory has been acting in French cinema and theater since 1975, with André Téchiné’s The...
Read Moreby Patrick Gamble | Nov 9, 2018 | 2018, All, Read | 0 |
At this year’s BFI London Film Festival, Alfonso Cuarón’s Roma (2018), Mike Leigh’s Peterloo...
Read Moreby Forrest Cardamenis | Nov 2, 2018 | 2018, All, Read | 0 |
There are scholars who have devoted their lives to discovering autobiography in Welles’ films, and...
Read Moreby Tanner Tafelski | Oct 26, 2018 | 2018, All, Read | 0 |
Frederick Wiseman goes west — the Midwest that is. In a career that spans over 50 years, the...
Read Moreby Scout Tafoya | Oct 16, 2018 | 2018, All, Read | 0 |
The character of backwoods America seems only the province of amateurs, unknowns, and...
Read MoreThe Return to the Origins of Experience: Mariano Llinás’ “La Flor” Eddy Baez Talent Press, a...
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