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Though she has made independent films seen by a limited audience, Eliza Hittman has staked a...

To celebrate its 50th anniversary, this year the Berlinale’s independently organized Forum sidebar...

When Vitalina Varela first appears, via a supporting turn, in Pedro Costa’s Horse Money (2014),...

Pedro Costa makes images that feel like they were dredged up in archaeological finds. They’re so...

Compiled by Laurence Boyce Kinoscope’s “Top Five Shorts of 2019” attempts to examine the shorts...

At a time when archival film and other forms of archive are increasingly present in programming...

Hal Hartley’s early work brought something new to the punk-informed New York sensibility,...

The current discourse in film criticism cannot fit Dark Waters (2019) through its narrow funnel....

René Gardi was a popular Swiss traveler, writer, and filmmaker who fell in love with Africa in the...

In recent years, Ukrainian filmmaker Sergei Loznitsa has built up a strong practice of delving...

Here are the best films that premiered in the 2010s according to our writers. As with all lists,...

For Kinoscope’s second annual “Impressions” feature, our writers highlight new and old movies...