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If my experience attending the International Film Festival Rotterdam in person last year is a...

For some time now, Japanese hellraising provocateur Sion Sono has had a not-so-secret mission to...

For those who paid close attention to his “rise,” it’s rather humorous to think of Ben Wheatley as...

Lemohang Jeremiah Mosese has slowly been building up a reputation on the festival circuit....

Though a little late, and by no means do I want to resurrect 2020 and all of its misfortunes, but...

When Frances McDormand’s Fern appears in the opening frames of Nomadland (2020), a title card has...

Oliver Laxe’s Fire Will Come (2019) begins with the same image Albert Serra’s Liberté (2019) ends...

Garrett Bradley’s movie titles convey big, broad concepts: “Alone,” (2017) “America,” (2019) and...

“I wanted to write a portrait of a woman. That was clear,” Anna Cazenave Cambet tells me during...

As is often the way of these things, I didn’t quite fall in love with Martin Eden until a year had...

Nine years after his passing, what was supposed to be Raúl Ruiz’s debut film has been recovered...