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When Frances McDormand’s Fern appears in the opening frames of Nomadland (2020), a title card has...

Oliver Laxe’s Fire Will Come (2019) begins with the same image Albert Serra’s Liberté (2019) ends...

Garrett Bradley’s movie titles convey big, broad concepts: “Alone,” (2017) “America,” (2019) and...

“I wanted to write a portrait of a woman. That was clear,” Anna Cazenave Cambet tells me during...

As is often the way of these things, I didn’t quite fall in love with Martin Eden until a year had...

Nine years after his passing, what was supposed to be Raúl Ruiz’s debut film has been recovered...

It was 1970, and Orson Welles was filming The Other Side of the Wind, which gestated for years...

Lisbon is a city with a history of resilience. So, it was hardly a surprise when IndieLisboa...

Jacqueline Lentzou’s cinematic universe is one of subtle beauty and complex poetry. Dense with...

From climate change and Brexit, to disagreements about how to tackle the Covid-19 pandemic, the...

Praveen Morchhale’s Widow of Silence is a war film that leaves the gunshots and battles offscreen,...