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Marked by multiple tales of economic turmoil, this year’s CPH:DOX provided fuel for reflection on...

The last two editions of One World Romania, Bucharest’s (and, arguably, the whole country’s)  most...

MS Slavic 7 (2019) is deceptively simple. Opening with the image of a poem by Polish writer Józef...

In 1999, Dischord Records released Instrument, a collaboration between filmmaker Jem Cohen and the...

At the Canadian premiere of Relaxer (2018) at Fantasia, barf bags were handed out to the audience...

In a present world of frontiers and walls, of permanent divisions in categories, races, nations,...

At this year’s Berlin International Film Festival, Nadav Lapid’s Synonyms (2019) walked away with...

An oneiric drama set in Singapore’s construction sites designated for land reclamation, A Land...

Wars do not quite simply claim lives — they also create new ones that are integral to their...

It’s simpler to say that a film is a summation of thousands of decisions made by thousands of...

The colonial project has long been about controlling land to bleed its resources. Much recent...

Edward Yang was one of the greatest directors of the late 20th century — a filmmaker who, along...