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If my experience attending the International Film Festival Rotterdam in person last year is a...

For some time now, Japanese hellraising provocateur Sion Sono has had a not-so-secret mission to...

For those who paid close attention to his “rise,” it’s rather humorous to think of Ben Wheatley as...

Lemohang Jeremiah Mosese has slowly been building up a reputation on the festival circuit....

Though a little late, and by no means do I want to resurrect 2020 and all of its misfortunes, but...

When Frances McDormand’s Fern appears in the opening frames of Nomadland (2020), a title card has...

Oliver Laxe’s Fire Will Come (2019) begins with the same image Albert Serra’s Liberté (2019) ends...

Garrett Bradley’s movie titles convey big, broad concepts: “Alone,” (2017) “America,” (2019) and...

“I wanted to write a portrait of a woman. That was clear,” Anna Cazenave Cambet tells me during...

As is often the way of these things, I didn’t quite fall in love with Martin Eden until a year had...

Nine years after his passing, what was supposed to be Raúl Ruiz’s debut film has been recovered...

It was 1970, and Orson Welles was filming The Other Side of the Wind, which gestated for years...