Tripping into Nature: An Interview with Daniel & Clara
The British filmmakers Daniel and Clara say they’ve discarded their nationality, surnames, and...
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Watching in the Time of Quarantine: Jason Ooi and the Long Distance Film Festival
The Long Distance Film Festival has risen to the demands of our current environment, where...
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Lost Dreams: Stephen Broomer’s “Phantom Ride”
Named after a genre of cinema popular towards the end of the 1890s, in which a cameraman was...
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La Semaine de la Critique of Festival de Cannes
KINOSCOPE is thrilled to announce a partnership with the Cannes Film Festival, La Semaine de la...
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The Elephant on the Red Carpet: An Interview with Léo Soesanto
We’re living through an unprecedented period of the 21st century. Because of the damage wreaked...
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Frank Mosley: Actor, Director, Adventurer
Chances are, if you closely follow the American independent filmmaking scene, you’ve seen...
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Reclaiming History: An Interview with Sky Hopinka
With experimental short films and video installations, Sky Hopinka has embarked on nomadic...
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Sky Hopinka Retrospective
Kinoscope is pleased to announce a retrospective of artist and filmmaker Sky Hopinka. Starting May...
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Burnham and Bresson Break Their Rule
One way filmmakers develop a “language” for their film is by establishing rules in its form they...
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Atrocity Inhibition: The (New) Films of Radu Jude
After a year without any premieres, Romanian auteur Radu Jude returns to the festival circuit with...
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The House I Live In: “Bloody Nose, Empty Pockets” and “Victoria”
If you asked me to draw a home, I would probably find myself using the same basic method and form...
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Mark Rappaport, Bricoleur
Collage is a relatively new word; originating from the French verb coller, and slightly more than...
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